The predictive programming of a 'Titanic' false flag op

Re: The predictive programming of a 'Titanic' false flag op

Postby leavemealone » Thu Feb 17, 2011 11:54 am

Post-Apocalyptic Predictive Programming For The Whole Family

by Alan Watt - 26th August 2010

Discovery Channel's apocalyptic reality TV show, The Colony, enters its second season with what might be the most dire sign yet for where our civilization is headed. It is the latest in a long-standing history of predictive programming from Hollywood.

Predictive Programming

Hollywood is the magician's wand (holly-holy) which has been used to cast a spell on the unsuspecting public. Things or ideas which would otherwise be seen as bizarre, vulgar, undesirable or impossible are inserted into films in the realm of fantasy. When the viewer watches these films, his/her mind is left open to suggestion and the conditioning process begins. These same movies which are designed to program the average person, can give the discerning viewer a better understanding of the workings and the plan of the world agenda. -- Alan Watt

The Colony is an "experiment" where people are forced to live in a world minus even the most basic necessities, while being harassed by their fellow suffering man. In Season Two, colonists begin the ordeal with a 72-hour quarantine, followed by a government agency airlift to a "way station" that is the site of their rebuilding of society. They are given enough supplies for one week, and basically told to have a nice day.

Hollywood has a history of involvement with the New World Order as a visual think tank of future scenarios. Viewed through this lens, the "experiment" is not to test the orchestrated reality of the characters placed in a survival situation, but to test the viewing public about what reality they will accept after certain predetermined events take place.

Predictive programming exists in all mediums, but it is Hollywood where the greatest numbers of people gather for passive entertainment.

Hollywood history shows a disturbing connection with the themes that are introduced in movies and TV, and the world that is accepted by the masses thereafter.

This is a list of the seminal thought experiments put to film which have been instrumental in offering an apparently dystopian world where one's first, human, reaction is "no one would accept that." After the concept has been introduced, politicians and media-spin work in concert to say, "It won't be like science fiction; it will benefit mankind." Look at the following movie themes, then look around at what has already been accepted as "normal."

THX 1138 (mandatory mind altering drugs to control a slave population -1971)
Soylent Green (overpopulation and Elite control -1973)
Wicker Man (Elite control over the population -1974)
Logan's Run (population control via computer - 1975)
Network (Corporate Media control - 1976)
Brainstorm (transmitting the mind across a computer network - 1983)
Robocop (militarization of police - 1987)
They Live (mind control and data collection - 1988)
Johnny Mnemonic (data as a commodity - 1995)
Gattaca (genetic code as a commodity - 1997)
Devil's Advocate (legislative control over society - 1997)
Eyes Wide Shut (rituals of the Elite - 1999)
Swordfish (government sanctioned crime to combat terrorism - 2001)
24 (good guys use torture to get information from terrorists - 2001)
Minority Report (high-tech police state using biometrics and "pre-crime" - 2002)
The Experiment (dynamic of prison abuse - 2002)
Control Factor (mind control through scientific dictatorship - 2003)
Jericho (factions within U.S. government set of a nuke false flag - 2006)
I Am Legend (benevolence of scientific intentions, martial law, and vaccines as the cure - 2007)

These examples suggest that Hollywood is a marketing tool for the New World Order. In the same way that news media was co-opted with psy-ops programs like Operation Mockingbird, the magic wand of Hollywood has been used to desensitize people to an impending reality. The Colony is the next level of preparation for the Endgame. And what might bring about this apocalypse? Well-regarded physicist, Michio Kaku, went on MSNBC's The Dylan Ratigan Show to announce that UFOs are worth serious inquiry. This was done to support a new book release of generals, pilots, and government officials documenting decades of UFO encounters. All of this while a new trailer for the movie Skyline depicts aliens arriving on blue beams. What was the name of the NASA project that studied stage managing a fake rapture or alien invasion? Project Blue Beam.

Is this just the latest in our regularly scheduled programming?
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Re: The predictive programming of a 'Titanic' false flag op

Postby HannibaltheHerbivore » Thu Feb 17, 2011 12:52 pm

In 1993, Martin Keating, the brother of Oklahoma’s Governor, Frank Keating, wrote a novel called The Final Jihad.

In his book, a man named Tom McVeigh bombs an Oklahoma City federal building. Timothy McVeigh (supposedly) blew up the Murrah Federal building in Oklahoma City in 1995, two years after the book came out.

Linda Cavanaugh, from NBC’s Oklahoma affiliate KFOR, even reported on this oddity:

“The News Channel has learned of another strange development. Apparently, before the bombing, Governor Frank Keating’s brother, Martin, had been working on a novel about a terrorist bombing in Oklahoma City. Stranger still, one of the characters in the novel was named Thomas McVeigh.”

Revelation of the Method

Also adding to the mystery, Martin Keating dedicated his book to “the Knights of the Secret Circle.”

Could he be referring to the Knights of the Milner-Rhodes Round Table secret societies?


Here's an article about the Titanic one:

Futility, or the "Wreck of the Titan" : Remarkable similarities between fiction and real life
2010 07 10



Futility, or the Wreck of the Titan was an 1898 novella written by Morgan Robertson. The story features the ocean liner Titan, which sinks in the North Atlantic after striking an iceberg. The Titan and its sinking have been noted to be very similar to the real-life passenger ship RMS Titanic, which sank fourteen years later.


Although the novel was written before the Olympic-class Titanic had even been designed, there are some remarkable similarities between the fictional and real-life counterparts.

Like the Titanic, the fictional ship sank in April in the North Atlantic, and there were not enough lifeboats for the passengers.

There are also similarities between the size (800 ft long for Titan versus 882½ ft long for the Titanic), speed (25 knots for Titan, 23 knots for Titanic) and life-saving equipment.

Similarities between Titanic and Titan:

The Titanic was the world’s largest luxury liner (882 feet, displacing 53,000 long tons), and was once described as being (nearly) "unsinkable".

The Titan was the largest craft afloat and the greatest of the works of men (800 feet, displacing 75,000 tons), and was considered "unsinkable".

The Titanic carried only 20 lifeboats, less than half the number required for her passenger capacity of 3000.

The Titan carried "as few as the law allowed", 24 lifeboats, less than half needed for her 3000 capacity.

Struck an iceberg
Moving too fast at 23 knots, the Titanic struck an iceberg on the night of April 14, 1912 in the North Atlantic 400 miles away from Terranova.

Also on an April night in North Atlantic 400 miles from Newfoundland (Terranova) , the Titan hit an iceberg while traveling at 25 knots.

The Unsinkable Sank
The unsinkable Titanic sank, and more than half of her 2208 passengers died.

The indestructible Titan also sank, more than half of her 2500 passengers drowning, their "voices raised in agonized screams."

Differences between Titanic and Titan

The Titan does not strike the iceberg a glancing blow on a clear night, as is the case with the Titanic, but drives headlong onto an ice shelf possibly formed by the recent overturning of a berg, rising up and falling on her side.

The Titanic hit the iceberg in perfect sailing conditions, while the Titan hit the iceberg in bad, misty and foggy conditions.

705 people aboard the Titanic were saved, while only 13 of those aboard the Titan survived.

The Titanic sank on her maiden voyage, while the Titan had made several voyages.

Titanic sank while sailing from England to the USA, Titan was traveling in the opposite direction.

The Titan sinks a ship before hitting the ice. The Titanic came close to an accident with the New York but did not actually hit it.

The Titan had sails to improve her speed;Titanic did not.

The Titanic was the second of three nearly identical sister ships; the Titan had no sister ships.


This is from Michael A. Hoffman's excellent book Secret Societies and Psychological Warfare:

In certain occult crime rituals a synchronistic work of literature, usually fiction, appears before the crimes are perpetrated, serving as a virtual script. In the case of Patty Hearst and the Symbionese Liberation Army (a group which featured salamander symbolism), the book, Black Abductor, had been published before the SLA came to the fore, paralleling many incidents that would come to fruition in the activities of Hearst and her comrades.

In the case of Son of Sam, the British film, The Wicker Man, which premiered in the U.S. in 1974 and was screened in New York by a group called Abraxas in April of 1977, during the height of the frenzy of the Son of Sam killings, served this function. A hit man who participated in both the Son of Sam and Double Initial murders, John Wheat Carr, signed himself, “Wicked King Wicker.”

In the ‘Unabom’ case the precursor literary work in question has a more prestigious literary pedigree. Joseph Conrad’s 1907 book, The Secret Agent, concerns a mad professor who lives in a tiny room, clothed in rags, while he builds a bomb with which he seeks to destroy the “idol of science.” “Joseph Conrad” was the literary non-de-plume of the Polish writer Theodore Korzeniowski.

(The Unabomber, an MKULTRA victim, is called Theodore Kaczynski. Hoffman argues that he was not acting alone, and this is just one in a long line of false portrayals by the complicit media, of the "lone nut", like Lee Harvey Oswald, Sirhan Sirhan, David Berkowitz, James Earl Ray, etc.)


Also, I haven't read Ayn Rand's Atlas Shrugged, but apparently in that book planes are downed on September 11th.
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Re: The predictive programming of a 'Titanic' false flag op

Postby HannibaltheHerbivore » Thu Feb 17, 2011 12:59 pm

There are images/descriptions of several pre-9/11 9/11 references here and here. Some are more significant than others.

Let not them that are mine enemies wrongfully rejoice over me;
Neither let them wink with the eye that hate me without a cause.

--Psalms 35:19

Capturing stills from movies for the purpose of exposing what might be 9-11 subliminals by those occultists who wave the Wood of the Holly began with Dr. Rebecca Carley's appearance on The Grassy Knoll. Carley made a statement that quite probably is the most memorable remark ever made on the program. During the October, 24, 2003 show she said: "It's time for us to turn the light on these Freemasons . . . because, in their sick code of honor, as it turns out, as long as they tell us what they're doing, they can get away with it . . . They're telling us what they're doing in the Sci-Fi channel primarily . . . and, you know, movies that are done, like 'Conspiracy Theory,' and a lot of Mel Gibson movies, as it turns out, that's where you find out the truth. And, so, people have to realize that's how they get away with things."

This statement also impacted Australian John Valentini, who went about researching pre-9-11 movies for possible subliminals that were actually portending that infamous day of catastrophe. This is not to say that producers, directors, and actors are necessarily aware that a numerological element has been imbedded in the film, though you might suspect that someone knows in order to ensure 9-11 "snapshots" don't hit the cutting room floor. Currently John is receiving information from others who have also come upon 9-11 symbolism.

Why is this important?

Well, it might not be. But if you believe that the New World Order is, in fact, the prophesied Satanic takeover, then the NWO is a spiritual matter. In turn, if it is a spiritual matter, then you had better understand we are dealing with principalities of darkness and generational worshippers of Evil, who are, shall we say, no less than Knights in Service to Satan. So, if you feel the 9-11 numerology is deliberate, not coincidental, then knowing about this is important because it makes a statement about the perpetrators of 9-11: That they are nothing less than ritualistic serial killers. These Satanists do love their numerology and derive huge pleasure from the secret knowledge that the joke is on us--the useless feeders. That's what these 9-11 subliminals represent: occult high signs--a wink of the eye and nudge of the elbow--that they know something we don't. On September 11, 2001, these Satanists killed nearly 3000 people; and it may be that the plan was crafted at least as far back as 1990.

Daddy Bush, after serving as shadow President for the eight years of Ronnie Reagan's occupancy of the White House, no sooner stepped into the office of Chief Executive when he began spouting Theosophical clichés such as "a thousand points of light." Bush also began using the term "New World Order."

In Donald S. McAlvany's 1992 book, "Toward a New World Order: the Countdown to Armageddon," he writes: "George Bush and his government officials now refer to the New World Order one or more times in every speech he makes and has done so since the summer of 1990. Bush invoked the New World Order twice in his Helsinki summit address on September 9, 1990; four times in his address to Congress on September 11, 1990".

[He did it again on September 11th, 1991

which happens to have been 50 years to the day after construction on the Pentagon began, and 10 years to the day before the Twin Towers and the Pentagon were attacked.]

Was Bush making the official pronouncement that a new epoch of evil had begun? Looking back on 9-11, perhaps there is no bigger in-your-face aspect than the one so huge that few can see it: Choosing the month's and day's numerals associated with the emergency number known as 911. The following gallery continues to expand. Are some of the appearances of 9-11 in films a coincidence. Are all of them a coincidence? Or are none of them a coincidence?

The following text and stills have been sent to me by John Valentini, who gets full credit for the work and a great debt of gratitude from me.



Film: Super Mario Brothers (1993)
Scene: With the South Tower on fire and disintegrating, a plane impacts the North Tower--a reversal of the sequence of the two actual WTC impacts.


Time: 01:30:36

Scene: As Mario Mario (Bob Hoskins) and King Koopa (Dennis Hopper) are transported between parallel dimensions the World Trade Center transforms into Koopa’s Tower. At the same time a plane eerily flies in between the buildings before impact.


Film: Path to Paradise (1997)
Time: 01:30:48
Scene: Ramzi Yousef (Art Malik), who built the bomb that was used in the World Trade Center bombing, is arrested in Pakistan and extradited to the US to await trial. As they fly over the Twin Towers he asserts ‘Next time we’ll bring them both down.’


TV Show:The Simpsons
Episode Title: ‘The City of New York versus Homer Simpson’
Season/Episode: 9/01
Original Air Date: 21 September 1997
Production Number: 4F22
Time: 00:06:28
Scene: Homer Simpson receives a letter from the city of New York informing him that his car is illegally parked at the World Trade Centre. Having a negative impression of the place after a past experience there as a young man he is reluctant to retrieve it. However, the rest of the family are excited and holding up a flyer Lisa exclaims they can all travel there by bus. The flyer displays an eye-catching 9 above the city skyline and together with the Twin Towers prominent in the background remarkably resembles ‘911’.


Film: Gremlins (1984)
Time: 01:08:58
Scene: Zach Galligan gets into his Volkswagen Beetle with Gizmo and successfully starts the engine. He turns the radio on and the red dial is sitting between 9 and 11. Incidentally above the numbers it reads "Sapphire XI." Sapphire is the traditional birthstone for September and XI is the Roman numeral for 11, hence implying "September 11."


Film: Independence Day (1996)
Time: 00:45:33 (Special Edition) 00:41:22 (Theatrical Version)
Scene: As Air Force 1 evacuates the President and his family, Jeff Goldblum sets a laptop up to watch the countdown. When the camera cuts to a close-up one of the ticks is 00:09:11:01.


This cover graphic on a Federal Emergency Management Agency/Department of Justice manual, published before May 1998, was given to Al Cuppett, who shows it on his video: "Black Operations and Prophecy." The North Tower, on which the crosshairs are fixed, was the first tower hit.


Film: The Long Kiss Goodnight (1996)
Time: 01:22:52-01:24:18
Scene: Samantha Caine (Geena Davis) attempts to rescue her daughter with aid from private detective Mitch Hennessey (Samuel L Jackson). Perkins (Patrick Malahide) captures them and subsequently explains the purpose of ‘Operation Honeymoon’.


Perkins: I’m going to miss you Major. You ought really to have stayed dead. You don’t know the rules of the game anymore.
Samantha Caine: Tell me about it. Eight years ago, this guy was on the hit list.
Perkins: Budget cuts, dear. Congress blinded us overseas. I was forced to turn to any eyes and ears I could find, even if that meant recruiting the ‘bad guys’ here.
Samantha Caine: Budget cuts—is that what this is about? Operation Honeymoon…Fuck me! You’re running a fund-raiser.
Mitch Hennessey: Fund-raiser?
Perkins: 1993…World Trade Center bombing, remember? During the trial, one of the bombers claimed the CIA had advance knowledge. [Chuckling] The diplomat who issued the terrorists’ visa was CIA. It’s not unthinkable they paved the way for the bombing, purely to justify a budget increase.
Mitch Hennessey: You’re telling me you’re going to fake some terrorist thing just to scare some money out of Congress?
Perkins: Unfortunately, Mr Hennessey, I have no idea how to fake killing 4,000 people, so we’re just going to have to do it for real. Blame it on the Muslims, naturally. Then I get my funding. Goodnight, old girl. Timothy I’ll be in chopper one.


"On the Road" by Jack Kerouac, 1955
Page: p. 108 in the "Penguin Great Books of the 20th Century" edition, 1999.
"When daybreak came we were zooming through New Jersey with the great cloud of Metropolitan New York rising before us in the snowy distance. Dean had a sweater wrapped around his ears to keep warm. He said we were a band of Arabs coming to blow up New York."


Undoubtedly an unfortunate coincidence--well, maybe--on the cover of the March 12, 2001, issue of "New York," using the World Trade Center complex as an icon for prime real estate juxtaposed to the woman's expression of horror and, for those who get it, the word "boom."


Dialogue from the 1999 TV movie "Harsh Realm," which refers to New York City as "Ground Zero."


Thomas (Neo) Anderson's passport expiration date in the 1999 movie "The Matrix," one of the most blatent statements regarding the "reality" in we which we live.
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Re: The predictive programming of a 'Titanic' false flag op

Postby HannibaltheHerbivore » Thu Feb 17, 2011 1:02 pm

Alan Watt explaining predictive programming:

Steven Spielberg effectively admitting that Minority Report contained predictive programming, which was organised during a weekend in Venice with all the leading futurists and other experts in their fields:

The film Knowing contained a news report about an explosion on an oil rig in the Gulf of Mexico several months before the real-life event

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Re: The predictive programming of a 'Titanic' false flag op

Postby leavemealone » Thu Feb 17, 2011 1:52 pm

It *could* just be coincidence
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Re: The predictive programming of a 'Titanic' false flag op

Postby HannibaltheHerbivore » Mon Mar 07, 2011 3:21 am

Robert F. Kennedy's assassin 'was a real-life Manchurian Candidate'
By Jon Swaine, New York 12:35AM GMT 02 Mar 2011

Robert F. Kennedy's assassin was programmed to shoot the politician in a real life version of the film The Manchurian Candidate, according to his lawyer ahead of a parole hearing on Wednesday.

In June 1968, Sirhan Sirhan shot Kennedy dead in the kitchen of the Ambassador Hotel in Los Angeles, moments after he had clinched victory in the California Democratic primary for that year's presidential election.

Sirhan, a 24-year-old Palestinian, cried "I did it for my country" when arrested. He kept diaries detailing his hatred of Kennedy for promising military support for Israel, a year after the region's Six-Day War.

Yet Sirhan's lawyer claims he was programmed to shoot the politician while under hypnosis.

Bill Pepper, the New York attorney who will today lead Sirhan's 14th attempt to be given parole, improbably alleges his client was "hypno-programmed".

"Sirhan was put through a process involving hypnosis and chemicals," claimed Mr Pepper, who is also a qualified barrister in England and Wales.

"Someone, some group or some agency did this," he said. Asked if he meant that the US government was responsible, Mr Pepper said: "Perhaps".

Despite the fact his client was watched and apprehended by numerous bystanders, Mr Pepper also believes the conspiracy theory that there was a "second gunman" in the hotel.

"We know Sirhan did not shoot the lethal bullets," he told The Daily Telegraph. "Witnesses said he was standing in the wrong place. He was there only as a distraction."

The lawyer may be prevented from making these arguments before the parole hearing, in Coalinga, California. At issue is whether his client, now 66, remains a threat and has accepted responsibility.

In addition to maintaining that he did not even kill Kennedy, both Sirhan and Mr Pepper also say that he has "no recollection" of the incident.

Mr Pepper, who was chairman of Kennedy's "citizens' committee" in 1964, said he was hopeful ahead of the hearing.

But David Dahle, an LA district attorney on the panel, suggested Sirhan would be disappointed again. "I am sceptical that I will see something that will cause me to not oppose the grant of parole," he said.


The Manchurian Candidate by Richard Condon was published in 1959. The movie came out in 1962.
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